This book is a good refresher on Cal Newport’s central thesis which shows up in both Deep Work and Digital Minimalism, but with email as the central device. The same essential theorem, but a lot of new stories to go with it as corollaries. Of course, it’s not email technology that the book contests, but the hyperactive hive-mind that are enabled by people’s email habits. But here’s the only thing I want to leave a note of: I was mildly annoyed by Newport’s invocation (or perhaps, misappropriation) of Claude Shannon’s information theory.

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It’s the end of 2020, and when you’ve been stuck at home for a year, with only your dog as your constant companion, Travels with Charley is a good book to read. But this book is a lot more about Steinbeck’s road trip than about the dog. Steinbeck romanticises everything. If so much as a tree sheds a leaf in front of him, he bursts forth with pages of ideas, thoughts and memories.

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The original Marathi edition of Baluta has captivating cover art. It shows a sketch of a crow perched on the rim of an earthen pot, dropping pebbles in the pot, but completely oblivious to the glaring crack running down the pot. I remember that image from a copy lying in one corner of a bookshelf, but I was too young then to be interested. To me, this was just a sign of the artist trying to convey a sense of irony.

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I was first introduced to William Dalrymple in Michael Wood’s documentary, The Story of India. I watched it nearly eight years ago. The scene was shot in a Kali temple where devotees had gathered on the eve of Holi. Dalrymple is explaining what Holi means to Hindus, looking at a spot slightly off-camera. The timing of his narration is such that as soon as he finishes talking, the nearly hundred devotees in the temple throw up their hands and started dancing to chants of “Jai Mata Di” and “Holi hai”.

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